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  • ~WISH YOU ALL A VERY HAPPY AND WONDERFUL MOMENT.~
Week's Proverb : A nod is as good as a wink.-(To a person who is ready to understand or undertake something, any subtle signalling of it is sufficient)

Theme of the Week

About Me

It is my first time to say hello and do some self introduction to everybody here online. My name is Ashis.P.Donthi, male, 27, from Bangalore, India. I like reading, and do some collections in my spare time.

About Me

It is my first time to say hello and do some self introduction to everybody here online. My name is Ashis.P.Donthi, male, 27, from Bangalore, India. I like reading, and do some collections in my spare time.

About Me

It is my first time to say hello and do some self introduction to everybody here online. My name is Ashis.P.Donthi, male, 27, from Bangalore, India. I like reading, and do some collections in my spare time.

About Me

It is my first time to say hello and do some self introduction to everybody here online. My name is Ashis.P.Donthi, male, 27, from Bangalore, India. I like reading, and do some collections in my spare time.

About Me

It is my first time to say hello and do some self introduction to everybody here online. My name is Ashis.P.Donthi, male, 27, from Bangalore, India. I like reading, and do some collections in my spare time.

Friday, September 17, 2010

Saare Jahan Se Achcha

Saare Jahan Se Achcha

Saare Jahan Se Achchha (Urdu:سارے جہاں سے اچھا) is one of the enduring patriotic poems of the Urdu language. Written originally for children in the ghazal style of Urdu poetry by poet Muhammad Iqbal, the poem was published in the weekly journal Ittehad on 16 August 1904. Recited by Iqbal the following year at Government College, Lahore, now in Pakistan, it quickly became an anthem of opposition to the British rule in India. The song, an ode to Hindustan—the land comprising present-day Bangladesh, India, and Pakistan—both celebrated and cherished the land even as it lamented its age-old anguish. Also known as Tarana-e-Hindi (Urdu: ترانۂ ہندی "Anthem of the People of Hindustan"), it was later published in 1924 in the Urdu book Bang-i-Dara.
Iqbal was a lecturer at the Government College, Lahore at that time, and was invited by student Lala Har Dayal to preside over a function. Instead of delivering a speech, Iqbal sang Saare Jahan Se Achcha. The song, in addition to embodying yearning and attachment to the land of Hindustan, expressed "cultural memory" and had an elegiac quality. In 1905, the 27-year old Iqbal was still in his idealistic phase and viewed the future society of the subcontinent as both a pluralistic and composite Hindu-Muslim culture. Later that year he left for Europe for a three-year sojourn that was to transform him into an Islamic philosopher and a visionary of a future Islamic society.

Iqbal's transformation and Tarana-e-Milli
In 1910, Iqbal wrote another song for children, Tarana-e-Milli (Anthem of the Religious Community), which was composed in the same metre and rhyme scheme as Saare Jahan Se Achcha, but which renounced much of the sentiment of the earlier song. For example, the sixth stanza of Saare Jahan Se Achcha (1904) is often quoted as proof of Iqbal's secular outlook:
mażhab nahīñ sikhātā āpas meñ bair rakhnāhindī haiñ ham, vat̤an hai hindostāñ hamārā
or, Religion does not teach us to bear ill-will among ourselvesWe are of Hind, our homeland is Hindustan. In contrast, the first stanza of Tarana-e-Milli (1910) reads:
chīn-o-arab hamārā, hindostān hamārāmuslim hain ham, vatan hai sārā jahān hamārā
or, Central Asia and Arabia are ours, Hindustan is oursWe are Muslims, the whole world is our homeland. Iqbal's world view had now changed; it had become both global and Islamic. Instead of singing of India, "our homeland," the new song proclaimed that "our homeland is the whole world." Two decades later, in his presidential address to the Muslim League annual conference in Allahabad in 1930, he was to propose a separate nation-state in the Muslim majority areas of the sub-continent, an idea that inspired the creation of Pakistan. Due to this he later became known as as Muffakir-e-Pakistan ("The Thinker of Pakistan"). He is officially recognized as the national poet of Pakistan.

Popularity in India
In spite of its creator's disavowal of it, Saare Jahan Se Achcha has remained popular in India for over a century. Mahatma Gandhi is said to have sung it over a hundred times when he was imprisoned at Yerawada Jail in Pune in the 1930s. The poem was set to music in the 1950s by sitar maestro Ravi Shankar and recorded by singer Lata Mangeshkar. Stanzas (1), (3), (4), and (6) of the song became an unofficial national anthem in India, and were also turned into the official quick march of the Indian Armed Forces. Rakesh Sharma, the first Indian cosmonaut, employed the first line of the song in 1984 to describe to then prime minister Indira Gandhi how India appeared from outer space. Current prime minister, Manmohan Singh, quoted the poem at his first press conference.

Urdu text
سارے جہاں سے اچھا ہندوستاں ہماراہم بلبليں ہيں اس کي، يہ گلستاں ہمارا
غربت ميں ہوں اگر ہم، رہتا ہے دل وطن ميںسمجھو وہيں ہميں بھي، دل ہو جہاں ہمارا
پربت وہ سب سے اونچا، ہمسايہ آسماں کاوہ سنتري ہمارا، وہ پاسباں ہمارا
گودي ميں کھيلتي ہيں اس کي ہزاروں ندياںگلشن ہے جن آب رود گنگا، وہ دن ہيں ياد تجھ کو؟اترا ترے کنارے جب کارواں ہمارا
مذہب نہيں سکھاتا آپس ميں بير رکھناہندي ہيں ہم وطن ہے ہندوستاں ہمارا
يونان و مصر و روما سب مٹ گئے جہاں سےاب تک مگر ہے باقي نام و نشاں ہمارا
کچھ بات ہے کہ ہستي مٹتي نہيں ہماريصديوں رہا ہے دشمن دور زماں ہمارا
اقبال! کوئي محرم اپنا نہيں جہاں ميںمعلوم کيا کسي کو درد نہاں ہمارا

Hindi transliteration
सारे जहाँ से अच्छा हिन्दोस्तान हमारा ।हम बुलबुले है इसकी ये गुलसिता हमारा ॥धृ॥
घुर्बत मे हो अगर हम रहता है दिल वतन मे ।समझो वही हमे भी दिल है जहाँ हमारा ॥१॥
परबत वो सब से ऊंचा हमसाय आसमाँ का ।वो संतरी हमारा वो पासबा हमारा ॥२॥
गोदी मे खेलती है इसकी हजारो नदिया ।गुलशन है जिनके दम से रश्क-ए-जना हमारा ॥३॥
ए अब रौद गंगा वो दिन है याद तुझको ।उतर तेरे किनारे जब कारवाँ हमारा ॥४॥
मझहब नही सिखाता आपस मे बैर रखना ।हिन्दवी है हम वतन है हिन्दोस्तान हमारा ॥५॥
युनान-ओ-मिस्र-ओ-रोमा सब मिल गये जहाँ से ।अब तक मगर है बांकी नामो-निशान हमारा ॥६॥
कुछ बात है की हस्ती मिटती नही हमारी ।सदियो रहा है दुश्मन दौर-ए-जमान हमारा ॥७॥
इक़्बाल कोइ मेहरम अपना नही जहाँ मे ।मालूम क्या किसी को दर्द-ए-निहा हमारा ॥८॥

Roman Transliteration
sāre jahāñ se acchā hindostāñ hamārāham bulbuleñ haiñ us kī vuh gulsitāñ hamārā
ġhurbat meñ hoñ agar ham, rahtā hai dil vat̤an meñsamjho vuhīñ hameñ bhī dil ho jahāñ hamārā
parbat vuh sab se ūñchā, hamsāyah āsmāñ kāvuh santarī hamārā, vuh pāsbāñ hamārā
godī meñ kheltī haiñ us kī hazāroñ nadiyāñgulshan hai jin ke dam se rashk-e janāñ hamārā
ay āb-rūd-e gangā! vuh din haiñ yād tujh ko?utarā tire kināre jab kāravāñ hamārā
mażhab nahīñ sikhātā āpas meñ bair rakhnāhindī haiñ ham, vat̤an hai hindostāñ hamārā
yūnān-o-miṣr-o-rumā sab miṭ gaʾe jahāñ seab tak magar hai bāqī nām-o-nishāñ hamārā
kuchh bāt hai kih hastī miṭtī nahīñ hamārīsadiyoñ rahā hai dushman daur-e zamāñ hamārā
iqbāl! koʾī maḥram apnā nahīñ jahāñ meñmaʿlūm kyā kisī ko dard-e nihāñ hamārā!

Translation
Better than the entire world, is our Hindustan,We are its nightingales, and it (is) our garden abode
If we are in an alien place, the heart remains in the homeland,Know us to be only there where our heart is.
That tallest mountain, that shade-sharer of the sky,It (is) our sentry, it (is) our watchman
In its lap frolic those thousands of rivers,Whose vitality makes our garden the envy of Paradise.
O the flowing waters of the Ganges, do you remember that dayWhen our caravan first disembarked on your waterfront?
Religion does not teach us to bear ill-will among ourselvesWe are of Hind, our homeland is Hindustan.
In a world in which ancient Greece, Egypt, and Rome have all vanished without traceOur own attributes (name and sign) live on today.
Such is our existence that it cannot be erasedEven though, for centuries, the cycle of time has been our enemy.
Iqbal! We have no confidant in this worldWhat does any one know of our hidden pain?

Thursday, September 09, 2010

BEST WISHES




HAPPY RAMZAN AND GOWRI GANESHA FESTIVAL

Tuesday, August 31, 2010

GLAMOUR GOD










Monday, August 16, 2010

HOW TO ADD A SIGNATURE IN A WORD


Step 1: This is your desktop. (Above Figure)



Step 2: Click on START and select RUN. (Above Figure)



Step 3: Type eudcedit and click OK. (Above Figure)


Step 4: Private Character Editor Window will be displayed along with Select Code window. Select any block and click OK. (Above Figure)


Step 5: A Grid layout will be displayed. (Above Figure)


Step 6: Write/Draw your signature on the grid using the pen. (Above Figure)


Step 7: Click on Edit menu and select Save Character As… option. (Above Figure)


Step 8: Save Character As Window will be displayed. Click OK. (Above Figure)


Step 9: Close Private Character Editor Window and click on Start- Programs- Accessories- System Tools- Character Map. (Above Figure)


Step 10: Character Map Window will be displayed. (Above Figure)


Step 11: Choose All Fonts (Private Characters) from the drop down box. (Above Figure)


Step 12: Click on Select and then click Copy. (Above Figure)


Step 13: Minimize the window and click on Start- Programs- Microsoft Office- Microsoft Office Word 2007 (Word Processor). (Above Figure)


Step 14: Click on Paste option. (Above Figure)


Step 15: Your signature will be pasted. (Above Figure)


Step 16: Select the signature and increase the font size. (Above Figure)


Step 17: That’s it!!! Your Signature is now ready. (Above Figure)

Thursday, July 01, 2010

Indian Musical Instruments

Indian Music Instruments
Sitar
Sitar is of the most popular music instruments of North India. The Sitar has a long neck with twenty metal frets and six to seven main cords. Below the frets of Sitar are thirteen sympathetic strings which are tuned to the notes of the Raga. A gourd, which acts as a resonator for the strings is at the lower end of the neck of the Sitar. The frets are moved up and down to adjust the notes. Some famous Sitar players are Ustad Vilayat Khan, Pt. Ravishankar, Ustad Imrat Khan, Ustad Abdul Halim Zaffar Khan, Ustad Rais Khan and Pt Debu Chowdhury.

Sarod
Sarod has a small wooden body covered with skin and a fingerboard that is covered with steel. Sarod does not have a fret and has twenty-five strings of which fifteen are sympathetic strings. A metal gourd acts as a resonator. The strings are plucked with a triangular plectrum. Some notable exponents of Sarod are Ustad Ali Akbar Khan, Ustad Amjad Ali Khan, Pt. Buddhadev Das Gupta, Zarin Daruwalla and Brij Narayan.

Sarangi
Sarangi is one of the most popular and oldest bowed instruments in India. The body of Sarangi is hollow and made of teak wood adorned with ivory inlays. Sarangi has forty strings of which thirty seven are sympathetic. The Sarangi is held in a vertical position and played with a bow. To play the Sarangi one has to press the fingernails of the left hand against the strings. Famous Sarangi maestros are Rehman Bakhs, Pt Ram Narayan, Ghulam Sabir and Ustad Sultan Khan.

Flute
Flute is a simple cylindrical tube of uniform bore and associated with Indian music since time immemorial. Flutes vary in size. Flute is held horizontally and is inclined downwards when it is played. To produce sound or melody one has to cover the finger holes with the fingers of the left and right hand. Variations in pitch are produced by altering the effective length of the air column. Notable flute exponents are Pt Pannalal Ghosh and Pt Hari Prashad Chaurasia.

Shehnai
Shehnai is a traditional musical instrument, associated with auspicious occasions like marriages and temple processions. Shehnai is a double reed instrument with a tapering bore which progressively increases towards the lower side. The Shehnai has finger-holes to produce semi, quarter and micro-tones. Ustad Bismillah Khan is the unrivalled maestro of the Shehnai.

Tabla
The most popular musical instrument used in North India is the Tabla. The Tabla consists of a pair of drums- the Tabla and the Bayan. The Tabla is made of wood and whereas its head is made of stretched animal skin. Finer tuning of Tabla is done by striking the rim of the Tabla with a small hammer. The Bayan is the bass drum and is usually made of metal with a stretched skin head. Both drums have a black spot in the center made of manganese or iron dust.

Pakhawaj
It is believed that the Tabla was derived from Pakhawaj. Pakhawaj usually accompanies Dhrupad style of singing. Pakhawaj is a barrel-shaped drum with two heads which are made of layers of skin. The heads of Pakhawaj are expanded by leather straps which run along the sides of the body over small cylindrical wooden blocks that are used for tuning.

Harmonium
The harmonium is a traditional and popular musical instrument of India. The harmonium has a keyboard of over two and one-half octaves and works on a system of bellows. The keyboard is played with the right hand while the left hand is used to operate the bellows. Harmonium is more popular in North India than in the South.

Jaltarangam
Jaltarangam consists of a set of eighteen porcelain cups of varying sizes. The cups are arranged in a semi-circle before the performer, in decreasing order of size. The largest cup is to the left of the performer whereas the smallest to his right. Water is poured into the cups and the pitch is changed by adjusting the amount of water in the cup. The cups are struck with two thin bamboo sticks.

Mridangam
The mridangam is one of the most popular classical instruments of South India. Mridangam accompanies vocal, instrumental and dance performances. The present day mridangam is made of a single block of wood. It is a barrel-shaped double-headed drum, the right head being smaller than the left. The two heads are made of layers of skin. The mridangam is played with hands, palms and fingers.

Ghatam
The Ghatam is one oldest percussion instruments of South India. The Ghatam is a mud pan with a narrow mouth. From its mouth, it slopes outwards to form a ridge. Ghatam is made mainly of clay baked with brass or copper filings with a small amount of iron filings. The Ghatam produces fast rhythmic patterns. Ghatam is generally a secondary percussion instrument accompanying mridangam.

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Wednesday, June 30, 2010

Jackie Chan Songs

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Thursday, December 24, 2009

unbelievable series2





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